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The images represented here were taken between 1998 and 2008 from helicopters flying at altitudes of 500 to 5,000 feet over the fringes of the San Francisco Bay and its tributaries. Most depict areas from the southern tip of San Francisco Bay to South San Francisco on the western side and to Alameda on the eastern side. The remaining photographs come from other areas as far north as Suisun Bay.
My interest in these tidal areas developed quite by chance while flying on commercial assignments over much of California. Some of my pilots fly out of the Oakland, Hayward, and San Carlos airports, and our flight plan invariably takes me over some part of the bay. I quickly found that I was fascinated by the coloration, shapes, and reflections that combined with each other where the waters of the bay gave way to land. I was viewing scenes created by tidal ebb and flow, the intrusion of commercial interests, and nature’s constant readjustments to these forces. The results were beautiful, unusual, and sometimes disturbing abstract images.
San Francisco Bay is a massive water collection and discharge system pumping billions of gallons
of water daily using its tides and tributaries as engines. The edges and corners of the bay exhibit
the most visible changes on the ground with the south end of the Bay being the most pronounced. These areas are like the edges of a sink that are left with residue after it has drained. From the air
the evidence of this activity is even more dramatic. Currents can be seen creating channels of water rushing in different directions running side by side, the incoming one color, the outgoing another. As the water recedes, streams, rivulets, mud, rock, scars, and debris become visible along the shoreline with unusual light reflections and color changes. Color in the salt pond areas of the southern end of the bay can become particularly intense. Within much of the tidelands’ abstract beauty lies evidence of man’s ignorance of his environmental impact. These photographs depict an area that since the early 1960’s has been a focal point of the environmental movement in the United States. Former President Bill Clinton claimed that the founders of “Save the Bay” launched the environmental movement when they formed the group in 1961 to protect the Bay from infill, pollution, and wildlife habitat destruction.
The McLoughlin Gallery is an approachable, inviting gallery with a social conscience. The mission of the gallery is to educate and intrigue by showcasing established mid-career and emerging contemporary artists whose work is unique, integrating bright, bold colors and conveying an emotional punch. Art work that makes you think. A portion of proceeds will benefit Glide and Stanford Breast Cancer Research. The McLoughlin Gallery is an independent enterprise not associated or connected with Stanford University and its activities are not ...